In half a century, actors have aged or passed away, the shape of the city has altered, the film industry has changed beyond recognition, most single screens have made way for multiplexes, audiences tastes have changed, rural life is very different now, and inflation has devalued the rupee. But a great film is forever. Deepa Gahlot salutes Sholay, as it re-releases in theatres.
'Most of us try to be good human beings; he was genuinely a good person.'
What if Sholay were produced now, in our technologically advanced era, with AI vying for our attention?, asks Atanu Biswas.
'It's there in everyone's heart. That's the beauty of masterpieces.'
Doctor on Salim Khan: 'Unko thoda haemorrhage hua tha, which we've tackled.'
'Editor M S Shinde deserves full credit because, I'm told, Ramesh Sippy had shot 300,000 feet of footage, which was brought down to 18,000. 'He died in 2012, in a 126 square foot flat in Dharavi, penniless, a forgotten hero.'
Even after 50 years, Sholay remains a lasting reminder of unity, shared memories and the joy of cinema, notes Mohammad Asim Siddiqui.
'Sholay had a sargam of human emotions.'
'Whenever I feel low, I watch Chupke Chupke.'
Sholay's Basanti is the face of women's empowerment and gender equality. That's why, half a century after the movie first released, we're still talking about her.
'The Dhamaal director wanted an innocent guy who's still like a child. He hinted that my voice was very strong.' 'I worked it out: I got this dungarees look, made him slouch, got rid of the bass in my voice, and added a lisp to make him cuter.' 'These are things an actor does because you want to bring something to the table.'
'One of the dignified aspects of their relationship is that Hema reportedly told Dharamji that she would never disturb his first family.'
The year will close on a blockbuster note, if December's theatre line-up is any indication. Be it Bollywood, Hollywood or south, there are many biggies ready for release.
Dharmendra's demise means the loss of one of the biggest icons ever in the Hindi film firmament.
As the year draws to a close, Rediff's Senior Contributor Roshmila Bhattacharya takes a look at the hits and misses, the highs and lows, the newsmakers and the dealbreakers in alphabetical order.
Dharmendra got his He Man image with Phool Aur Patthar, which was so strong that he never managed to fully shrug it off.
'As soon as Salman saw me, he immediately left Aamir's side and came towards me. He hugged me.' 'Then he introduced me to Aamir, saying, 'This is J K Bihari who launched me in Biwi Ho Toh Aisi".'
'The way Helen ma'am grooves, she's so seductive.'
As the nation bid farewell to one of its beloved actors, we take a look at Dharmendra's remarkable life through pictures.
The cricketing fraternity on Monday paid glowing tributes to veteran actor Dharmendra, who passed away in Mumbai at the age of 89.
Asrani may have never been a marquee name up in sparkling lights or on outsized posters but the sheer proficiency with which he realised his characters has unleashed gales of laughter over five decades and made a significant contribution to several landmark films. Dinesh Raheja salutes the iconic actor.
'I make films which I think have the possibility of being liked by a majority of people, and you present it with the right emotions.'
Dharmendra's oeuvre was so phenomenal that there was never a phase in his professional life when he was in danger of falling into a rut, in terms of either the kind of films he starred in or the sort of co-actors he worked with.
'Do films today even have the courage to question the establishment?'
Dharmendra remained one of the most loved stars of all time, even when his movies tapered off, and age caught up with him.
After spinning into the spotlight with the hit song-and-dance number Mera Naam Chin Chin Chu in Howrah Bridge (1958), Helen signed scores of films as a dancer. But Helen was raring to step out of her dancing shoes, and play heroine instead.
'I owe what Shakti became as much to Mr Bachchan as Salim-Javed.'
While Amitabh Bachchan's chemistry with his heroines -- from Jaya Bhaduri to Rekha to Hema Malini -- brought sizzle to his films, many of his biggest blockbusters have been powered by his combustible combination with male co-stars.
'At times when the pressure, glitz and glam felt horribly garish, there he was with no pretences or guile. A sweet reminder that life is about the real things not the fluff.'
'His belief that he is touched by the Almighty reflects in his performances.'
Salim-Javed became the first Hindi film writers who could be considered brands, and they are still boldface names, celebrities in their own right, chronicles Dinesh Raheja.
Mahavatar Narsimha emerges as big a blockbuster as 1975's Jai Santoshi Maa.
Veteran actor Satinder Kumar Khosla, popularly known as Birbal, succumbed to a cardiac arrest on Tuesday, September 12. He was in his 80s.
'Don was declared a flop because not many people turned up.' 'Luckily, Khaike Paan Banaraswala became a big hit.' 'Word of mouth publicity led to the film becoming a big hit from the second week on.'
Dharmendra was fascinated by Gabbar's role, then he said he would like to play Thakur. 'I told him he won't get Hema Malini.' 'He laughed and said okay (to play Veeru).'
Though Zanjeer is credited as Amitabh's breakthrough film, it didn't immediately enthrone him. Rajesh Khanna countered with a huge hit in Daag that year. But Deewar upended audience's cinematic taste and filmland hierarchies at the very start of 1975. Bachchan emerged as a one man industry, the angry young man who could regulate the thermostat of the entire film industry, recalls Dinesh Raheja.
Because of Mukesh's much-hailed association with Raj Kapoor, it is often overlooked that the singer has also scored hits with almost all major heroes. On Mukesh's 102nd birth anniversary on July 22, Dinesh Raheja recalls some of his classic songs.
'We didn't create the Angry Young Man persona for Amitabh Bachchan.' 'We created the Vijay persona and then Amitabh Bachchan fitted into it.'
'Those were not kind days for a woman with a break-up. The world has changed; today, nobody cares.'
Superboys of Malegaon is a delight to watch, raves Deepa Gahlot.
© 2026 Rediff.com - Investor Information - Advertise with us - Disclaimer - Privacy Policy - Sitemap - Feedback - About us - Terms of use - Grievances